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Monday 30 March 2020

Dexter Gordon & Wardell Gray - The Hunt


"From 1941 to 1946, when servicemen began to drift back from the Pacific theatres, their pockets full of money, many of them to remain in Southern California, Central Avenue came to bear a striking resemblance to another street, remembered from another war, Basin Street, the thoroughfare of legendary Storyville, where jazz began." The liner notes wax lyrical on this truly historic recording. Jack Kerouac wrote of it in his seminal book "The Road": "They ate voraciously as Dean, sandwich in hand, stood bowed and jumping before the big phonograph, listening to a wild bop record I had just bought called 'The Hunt', with Dexter Gordon and Wardell Gray blowing their tops before a screaming audience that gave the record fantastic frenzied volume. The Southern folk looked at one another and shook their heads in awe." There is a momentous energy to this recording. The always sublime Dexter Gordon pairs with Wardell Gray on tenor to create a never ending be-bop line of staggering stamina (each piece clocks in at around the twenty minute mark): ever-building, simmering till it boils over. There is a natural catharsis in hearing the audience screaming for more ("Go! Go!"); you can feel the musicians move, sense the sweat on their brow as they lose themselves in the music to a truly captivated crowd.

Performers: Dexter Gordon/Wardell Gray (t-sx), Howard McGhee (tp), Trummy Young (tb), Barney Kessel (gt), Hampton Hawes (pi), Harry Babasin/Red Callender (bs), Connie Kay/Ken Kennedy (dr)

A. Disorder At The Border
B. Cherokee
C. Byas-A-Drink
D. The Hunt

mp3/320kbps

Hot Women: Women Singers From The Torrid Regions Of The World


Features artwork and notes from legendary cartoonist and obsessive shellac collector Robert Crumb (you can read more about this in his excellent interview with Mats Gustafsson here). This is one of several compilations Crumb has contributed art to, including 2006's "The Stuff That Dreams Are Made Of" on Yazoo, and his own selections on Abrams' "R. Crumb's Heroes Of Blues, Jazz & Country" from the same year. Crumb has always had a fascination with the inate power of the female form, and the striking, butch features of our cover singer here should come as no surprise to anyone familiar with the terrific and terrifying forms of his more erotic artwork. Musically speaking, whenever we dive into this era surprises are plentiful. Here is no exception: the theme allows for a broad range of styles, from cajun blues to latin music to Indian and Burmese folk music. There is plenty to relax, move and impress while we imagine ourselves as wayward travelers in a bygone era.

1. Cleoma Falcon - Blues Negres
2. Lydia Mendoza Y Familia - Mexico En Una Laguna
3. Toña La Negra - El Cacahuatero
4. Grupo De 'La Alegria' - El Tambor De La Alegria
5. Leona Gabriel - Liva
6. Araci Côrtes - Quero Sossego
7. Las Cuatro Huasas - La Papa Araucana
8. La Niña De Los Peines - Sevillanas Number 2 (The Girl Of The Combs)
9. Rosina Trubia Gioiosa - Lu Fistinu Di Palermo
10. Rita Abadzi - Mime Stelis Mana Anastin Ameriki
11. Maria Vasileiathou - Arostisa Manoula Mou
12. Cheikha Tetma - Guenene Tini
13. Aïcha Relizania - Khraïfi
14. Julie Marsellaise - Yama N'chauf Haja Tegennen
15. Ayda Sönmez - Neva Hicaz Gazel
16. Hamsa Khalafe & Ali Atia - Ballali Madja
17. Hadija Binti Abdulla - Bina Adamu, Part II
18. Maboudana & Badolo - Chant D'invitation A La Danse
19. Noforonin Dratsiambakaina, Hirain-Drazaivelo & Christine Zanany - Miverena Rahavana
20. Miss Nilam Bai - [Title In Hindustani]
21. Yadana Myit - [Title In Burmese]
22. Cô Ba-Thinh & Khâm-Thîen - Hát Du
23. Emma Bush & Johnny Noble - Lei E
24. Chants Populaires Tahitiens - Chant d'Amour

mp3/320kbps

Mo・Te - Taste Die Mad


Mo・Te (Fumiyuki Nagura) is an excellent Japanoise project and this tape is a prime example of the man at work. Grinding, dense low end and intense scraping howls make up the majority of the runtime. Originally released on L.A.-based Joel St. German's Spite label in 1998, this was given a European CD reissue on Audio Dissection/Industrial recollections last year. The original tape was packaged in tinfoil with the artwork hand pasted onto it inside a blank plastic case.

A1. Acid・Voice
A2. Gap In The Gap
A3. Distension
B. White Donor

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Willie Nelson - ...And Then I Wrote


A short-haired and less stoned Willie Nelson singing some of his hits as an early sixties Houston/Nashville songwriter. This is his first full length LP. There are some really excellent songs here, some ("Funny How Time Slips Away", "Crazy", "Hello Walls") written in Houston in the late fifties; others in Nashville, where he found himself by 1960. The production is crisp and clear to accentuate Nelson's sensitive country affectation. The mood is mellow and filled with pain and lost love. Classics like "Crazy" and "Touch Me" really show off the songwriter's captivating talents, both as a writer and as a singer.

A1. Touch Me
A2. Wake Me When It's Over
A3. Hello Walls
A4. Funny How Time Slips Away
A5. Crazy
A6. The Part Where I Cry
B1. Mr. Record Man
B2. Three Days
B3. One Step Beyond
B4. Undo The Right
B5. Darkness On The Face Of The Earth
B6. Where My House Lives

mp3/320kbps

Kevin Drumm & Aaron Dilloway - I Drink Your Skin


A collaboration/split from American noise artists Kevin Drumm and Aaron Dilloway. Side A is by Kevin Drumm "composed using sound sources from Aaron Dilloway" and side B is the opposite. Originally released in 2002 on John Olson's American Tapes label, then in the same year on Dilloway's Hanson Records as a cassette, then, most recently, reissued on Hanson in 2015 as a CD/mp3 with different artwork. The mood here is muted and mesmerising, with hypnotic loops wheeling their way through the cassette fuzz. 

A. Kevin Drumm - Untitled
B. Aaron Dilloway - Untitled

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Pain Nail - Magneettinen Kohtalo


Title meaning 'magnetic destiny'. Pain Nail is a collaborative effort between Finnish noise/P.E./metal kingpin Mikko Aspa and countryman/noise/metal artist Marko Kokkonen. This is a droning, ominous power electronics/death industrial album with supernatural/pagan themes, compiling material recorded over six years from 2006 to 2012. Issued twice as an LP by Aspa's Freak Animal label in 2013 and 2015, and once as a cassette in 2013.

1. 6th Sense
2. Sinetit Lohkeavat
3. Blissful Silence
4. Descension - Ascension
5. Church Of Ash
6. Miekan Valta
7. One Glance
8. Tyhjyyden Kammo

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Haare - The Temple


Another Finnish noise act, and another harsh noise meditation on Buddhist esoteric themes. Haare: meaning 'hair' in German, possibly a pun on Hare Krishna. This project normally makes use of occult themes, and this unleashing of demonic eastern spirits is a fine example. Bells and drones give way to spiritual turmoil, screeching demons and tortured voices. Originally released on Freak Animal as a CD in 2004, but available on Bandcamp here if you would like to support Mr. Vekka's continuing efforts.

1. The Temple
2. Satori

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Squamata - Arrogant Absolut


Finnish "All Noise" release on US label Trash Ritual. Recalls early Sam McKinlay (The Rita, Ba. Ku.) or Gabriele Giuliani (Dead Body Love). The A-side begins low, rumbling, very dense and very raw, building into more frenetic higher end sounds; the B-side is underwritten by a driving bass drone like an engine in overdrive. Top shelf harsh noise.

A. Untitled
B. Untitled

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Patsy Cline - Showcase


Cline's strong, beautiful voice feels its way through this collection of love songs. Her performance is very strong, if unmatched, on stirring ballads like "I Fall to Pieces" and Willie Nelson's "Crazy" (perhaps the definitive rendition), as well as lighter tunes like "South of the Border (Down Mexico Way)" and Bob Wills' "San Antonio Rose". The backing vocals of The Jordanaires are ever-presented here, but rarely in a lucid way; they serve to lift Cline on their smooth vocal wings. 

A1. I Fall To Pieces
A2. Foolin' 'Round
A3. The Wayward Wind
A4. South Of The Border (Down Mexico Way)
A5. I Love You So Much It Hurts
A6. Seven Lonely Days
B1. Crazy
B2. San Antonio Rose
B3. True Love
B4. Walkin' After Midnight
B5. A Poor Man's Roses (Or A Rich Man's Gold)
B6. Have You Ever Been Lonely (Have You Ever Been Blue)

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Pain Jerk - Mission Invisible


A more recent release from the still very active Kohei Gomi (I count nine releases of live, new and unreleased material last year alone), this CD on Dominick Fernow's Hospital Productions is a recording from 1997, apparently envisioned by Relapse Records' Bill Yurkiewicz. This is one of the foremost talents of japanoise in his prime, playing electronics entirely live (the liner notes make a point of stating: "Completely No Overdub and No Edit").

1. Plug-In
2. Blue Damon
3. Technocrat-Outsider
4. Uncle Scum
5. Plug-Out

mp3/320kbps

Evil Moisture & Macronympha - The Tentacles Of The Octopus Sometimes Compete Against Each Other


Collaborative release on Ron Lessards' Pure series from RRRecords. Frenchman Andy Bolus (as Evil Mointure) joins yankee veterans Macronympha in a cavalcade of short attention span, high attack noise. Particularly good fun are the sick, dadaist track titles.

1. Junk Dissection
2. Deported Women Of The Suction Socket Special Section
3. Fucking Melted Like Mozzarella Cheese!
4. Anal Arsehol
5. Yokohama Pussy Half
6. Left Brain Lubricant
7. Evil Flower
8. Pittsburgh Capillary Action
9. Bad Drugs From Hell
10. Transsexual BBQ Holocaust
11. Acoustic Output From Driver Unit Used As Output For Inner Ear
12. Seismic Enlarger
13. Involuntary Regurgitation
14. The Chains Rattled In Time To The Ever Sharper Tempo Of Tanya's Lashings While The Once Arrogant Cynthia Offered Up Every Inducement Her Mind Could Devise To Win Her Repreive
15. Peak Exploration
16. The Tentacles Of The Octopus Sometimes Compete Against Each Other 1
17. The Tentacles Of The Octopus Sometimes Compete Against Each Other 2
18. The Tentacles Of The Octopus Sometimes Compete Against Each Other 3
19. The Tentacles Of The Octopus Sometimes Compete Against Each Other 4
20. The Tentacles Of The Octopus Sometimes Compete Against Each Other 5

mp3/192kbps

Richard Ramirez - Memorial


A CD release from harsh noise titan Richard Ramirez on the German noise/industrial/P.E. label Praxis Dr. Bearmann. The work is dedicated to Kevin Ogg, seemingly a friend Ramirez's who had passed away in 1996, just over a year prior to the release of this album. The noise here is frustrated, menacing and direct. You can feel in the title "How to Direct Your Anger", as well as in your gut as you listen, the frustration that is connected in the artist's mind with bereavement. 

1. Metal
2. Open It
3. How To Direct Your Anger

mp3/320kbps

Charles Mingus - Mingus Plays Piano


Charles Mingus' first (and as far as I am aware, only) foray into solo piano playing on record. Audibly this is not his main instrument, but the playing here is highly intimate and personalas if we hear the bassist talking to and analysing himself, picking through past experiences, joys and woes. As the liner notes state, a style that "expresses the more gentle, the more reflective and the more innocent elements of his personality." From the first piece, "Myself When I Am Real", we are immediately struck with the sensation of being privy to a private world, perhaps what friends' might have heard in the course of a late night spent at Mingus' home. "It's not like playing at home by yourself!", he exclaims between songs, trying to get comfortable. As we progress, though, the playing is as effortless as anything we might imagine; the overwhelming love of standards and the roots of the musical tradition he became such an integral part of is beaming through.

1. Myself When I Am Real
2. I Can't Get Started
3. Body And Soul
4. Roland Kirk's Message
5. Memories Of You
6. She's Just Miss Popular Hybrid
7. Orange Was The Color Of Her Dress; Then Silk Blues
8. Meditations For Moses
9. Old Portrait
10. I'm Getting Sentimental Over You
11. Compositional Theme Story: Medleys, Anthems And Folklore

flac/16-bit